bushnstache: Miscellaneous Props

Sometimes the prop is less about realism than giving the model something to play with. Frames make that idea wonderfully literal. Bob Cutlass holds an empty picture frame around different parts of himself, turning the photographer’s act of composition into part of the photograph. With a handsome face, generous manhood, and plump backside, there’s plenty worth framing.

1. Bob Cutlass by Ralph Kelly - c 1950s - in a deep squat holding a frame diagonally across his upper body.

2. Bob Cutlass in a standing pose holding the frame diagonally across his backside.

3. Cutlass in a standing pose holding from around his face and upper chest...great smile!

Pieces of Wood take a more organic turn. Chris Lee wrestles with a twisting branch that curls around his crotch almost like a python, its shape inviting some obvious visual comparisons. Danny Dugan uses a piece of driftwood more strategically—as both natural object and conveniently placed bit of modesty.

4. Chris Lee holding a branch.

5. Danny Dugan holding a piece of driftwood.

Vases bring us back toward classical art. In the hands of Jack Gallagher, Bob Hille and Henry Karczewski, the vessel gives the body a sculptural quality—the sort of pose that could easily migrate from photograph to painting, statue or fountain. Man and vase become two variations on form: curves, volume and silhouette.

6. Jack Gallagher (I think by Al Urban, but cannot confirm) in a seated pose holding a vase.

7. Bob Hille holding a glass vase overhead.

8. Henry Karczewski by Al Urban (late 1930's to early 1940s) in a kneeling pose on a box holding a small vase over his shoulder.

Finally, Furs blur the line between handheld prop, costume and fabric. Don Rackenby and Bob Kappel drape themselves in leopard-patterned skins, bringing a little primitive fantasy and theatrical luxury into the studio. They also make a useful bridge: from the solid objects we've been playing with to the softer handheld props.