Tools may be the easiest handheld props to understand. For generations, axes, picks, hammers, wrenches and crowbars were associated with physically demanding, overwhelmingly male work—the lumberjack, miner, mechanic, plumber, construction worker and handyman.
And the tradition goes back surprisingly far. Edgar Henry Garland posed nude with an axe for S. P. Andrew Ltd. in Wellington in 1916, giving this post a starting point more than a century ago.
Later physique photographers ran with the idea. Bruce Bellas put picks into the hands of muscular men; John Thomas and Billy Mars posed with wrenches; Gus Kubeck gets the full tool belt. And then there's Bob Mizer, naturally pushing things somewhere stranger, including Ray Piel wearing little more than a cap and mortarboard while holding a crowbar.
The connection between tools, work and masculinity is obvious. But so is the double entendre. A penis has long been called a “tool,” and these photographs were made for an audience perfectly capable of getting the joke.
They also tap into a fantasy that became practically a gay-porn cliché: the handsome mechanic leaning under your hood, the shirtless construction worker doing a job around the house, or the plumber crouched beneath your sink. The supposed reason he's there is to fix something. The fantasy is about what might happen next.
Even Bryan King's lightbulb works for me here. It's technically not a tool, but that wonderful overhead composition turns an everyday object associated with fixing things into the focus of the photograph.
And for the bonus images, Bob Mizer gives us Chuck Weltch with a hammer and Terry Douglas with an axe. Men with impressive tools holding impressive tools. Subtle it isn't.
Please leave thoughts, questions, corrections or additions in the comments. Thank you, bns











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