George Platt Lynes (1907-1955) is one of those figures who quietly sitas at the center of everything. He ran with Paul Cadmus, Jarad French, and Margaret French, but his circle stretched even wider--Christopher Isherwood, Licoln Kirstein, Jean Cocteau--and deep into the dance world with Isadora Duncan and George Balanchine.
1. Ted Starkowski - George Platt Lynes
2. George Platt Lynes self-portrait
3. George Platt Lynes - Man Ray - (Lynes also modeled nude for Man Ray and the PaJaMa collective)
4. Self-portrait (in front of his appearance in Cadmus' Caverlymen Crossing a River) - George Platt Lynes
He even stepped in front of the camera himself, posing nude for Man Ray and the PaJaMa group. But photography was always his anchor—mostly black and white, always about light, composition, and restraint.
5. Gordon Hanson - George Platt Lynes
6. Male Nudes - George Platt Lynes
What sets Lynes apart is where he sits in the spectrum. He was working at the same time as Bob Mizer and others in the physique world, but his work leans much more toward fine art than fitness or overt homoerotic fantasy. No costumes, no sailor or cowboy archetypes—just the body, shaped by light and space.
7. Nude Man - George Platt Lynes
8. Jean Babilée - George Platt Lynes (thanks, Jerry!)
If you fast-forward, he feels closer in spirit to Richard Avedon, Bruce Weber, or Tom Bianchi. His photographs for what would become the New York City Ballet—especially Balanchine’s Apollo—are iconic, and they land right at that intersection where dance, sculpture, and photography all blur together.
9. Male Nude - George Platt Lynes
And then there’s the history around it. Lynes was working in that charged window between the Great Depression and World War II, just as earlier queer openness in places like the Weimar Republic had been shut down. The lines between art, fitness culture, and erotic expression weren’t rigid, but they were distinct enough to attract different audiences—and all of it had to exist carefully under the radar.
10. Two Nudes - George Platt Lynes
11. Two Seated Nude Figures - George Platt Lynes
His connection to Alfred Kinsey is key here: much of Lynes’s nude work, too risky to show publicly at the time, ended up preserved through the Kinsey Institute. What he left behind is massive, layered, and still unfolding—and honestly, this is just a glimpse.
12. Alfred Kinsey - George Platt Lynes
13. George Platt Lynes behind the camera with unknown assistant
*See Hidden Master; The Legacy of George Platt Lynes on streaming services. It's excellent!
Thoughts?
Anyone recognize the assistant in this final photo? he looks familiar (and handsome;). This moment in history fascinates the fuck out of me. There's a deeper dive in all this with tangents to last a lifetime. All stories are welcome!
The last photo is George Platt Lynes with an assistant. He often took self-portraits with others.
ReplyDeleteUgh! Typo. Will fix asap. Thank you! bns
DeleteThe last two photos are not by George Quaintance. Autocorrect? The dancer is Jean Babilée and a real find that I've never seen before..
ReplyDeleteUgh, meant Lynes…too many Georges…brain slip. Will fix asap. Thanks for note! bns
DeleteThe seated model in tshirt is also Platt Lynes, not Balanchine. I’ll fix that one too. I need to slow down😉bns
DeleteHis work in many ways is timeless. Especially the portrait of Gordon Hanson that could have been taken today.
ReplyDeleteI had the same thought. Technically perfect and aesthetic is timeless indeed.
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